Writer, editor, reviewer

Posts for Tag : editing

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The Baltics Riveter 0

To celebrate London Book Fair’s Baltics Market Focus, the European Literature Network published another edition of its print magazine, The Riveter, edited by me and Riveter-in-Chief Rosie Goldsmith.

With commissioned artwork and extracts and features by London Book Fair’s three Authors of the Day – Kristina Sabaliauskaitė, Nora Ikstena and Mihkel Mutt, this may well have been our most successful magazine yet – it certainly flew out of hands.

Click here to download a free pdf of the magazine.

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Orenda Books – Spring 2018 0

 

My work for Orenda Books continues. The beginning of 2018 saw the appearance of the second ‘episode’ in Matt Wesolowski’s unusual, unsettling and unclassifiable Six Stories ‘podcast’ novels: Hydra – as disconcerting to edit as it is to read.

Alongside new titles from Orenda’s now established crime and thriller writers (Steph Broadribb, Matt Johnson, Thomas Enger, Johana Gustawsson and Gunnar Staalesen) we published our first German Krimi – Blue Night by Simone Buchholz, a book that takes the tropes of the genre and twists them into a delightful literary tour de force.

We also published our first Quebecois novel, the lyrical, poetic We Were the Salt of the Sea by Roxanne Bouchard.

Late spring saw domestic noir from Louise Voss and  L V Hay and a surprising piece of … speculative crime from Doug Johnstone – which imagines a volcano in the Firth of Forth.

The spring and summer have seen us working hard to get our autumn titles ready, and to migrate our sales and distribution to Simon & Schuster, an important move for this young publishing house.

And the autumn also brings a very pleasant surprise …

 

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The Nordic Riveter 0

In autumn 2017 I once again edited (with Riveter-in-Chief Rosie Goldsmith) The Riveter, the European Literature Network’s print magazine.

This edition was our longest so far, and was devoted to literature from the Nordic countries. Esteemed Norwegian crime writer Gunnar Staalesen was our guest editor, and we were honoured to include content from luminaries from across the region, including an exclusive extract from celebrated Icelandic author, Sjón’s Codex 1962.

Free copies of the magazine were distributed at events across the UK – and in Europe too.

Click here to download a pdf of the magazine.

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Orenda update 0

It’s been an extremely busy few months at Orenda Books.

The early summer saw the publication of two debut psychological thrillers that I worked on with publisher Karen Sullivan:  Exquisite by Sarah Stovell and The Other Twin by L V Hay. Both have received a lot of positive press attention – all of which is well deserved.

In May, the great Norwegian crime writer Gunnar Staalesen won the Petrona Award for Don Bartlett’s translation of his Varg Veum novel Where Roses Never Die (edited by yours truly), just after I’d put the finishing touches to the next Gunnar/Don collaboration, Wolves in the Dark, which was published in June.

I have spent the summer months editing Louise Beech’s hilarious and heart-wrenching Maria in the Moon, and Michael J. Malone’s chilling experiment with the gothic novel, House of Spines, both out in September.

Finn, Antti Tuomainen has also branched out – this time into literary black comedy, with his hilariously dark novel, The Man Who Died, which I had the great pleasure to edit. Exclusive advance copies sold out at the Edinburgh Festival, so I hear, but other readers will have to wait for autumn to get hold of what deserves to be a major hit.

As summer comes to an end it seems I’m surrounded by snow – editing two chilly crime novels by Icelandic writers: Lilja Sigurðardóttir’s English debut Snare, and the final part in Ragnar Jónasson’s Dark Iceland series, Whiteout.

Like many lucky enough to work in publishing, I have also been able to get first looks at what will be coming up for readers in the next year: it’s going to be a good one for fans of Orenda.

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Interview with The Book Trail 0

In August, I was interviewed by award-winning book blogger The Book Trail. The focus of the Q&A was The Riveter magazine, which I edit, and the European Literature Network, which I write and edit for; but we also discussed my work for Orenda Books and how I came to work in publishing and arts journalism.

You can read the interview here: http://www.thebooktrail.com/translated-fiction-european-literature-network/

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CrimeFest 2017 – an editor’s view 0

Back in May I attended CrimeFest 2017, in my role as Editor for Orenda Books.

I was also commissioned to write a feature about one of the biggest Crime Literature convention’s in the world by ELit and the European Literature Network. You can read my piece here: http://www.eurolitnetwork.com/crimefest-2017-an-editors-view-of-the-international-crime-fiction-convention-by-west-camel/

 

 

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The Riveter – Russian Writing 0

In August, the second edition of The Riveter was published by the European Literature Network.

I edited the magazine, alongside Riveter-in-Chief and Director of the European Literature Network, Rosie Goldsmith. I also contributed reviews of Zinovy Zinik’s Sounds Familiar, and China Miéville’s October to the publication.

The Riveter: Riveting Russian Writing was released on 3 August to celebrate the European Literature Network’s  Russian events at the British Library (Riveting Russian Translation Workshop and Riveting Reads: Russian Literature Today).

You can view and download a pdf of The Riveter, edition two here: http://www.eurolitnetwork.com/the-riveter-edition-two-on-russian-literature-today-is-out/ 

 

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The Riveter magazine – Polish writing 0

To celebrate The London Book Fair 2017 Poland Market Focus, the European Literature Network launched its very first print magazine, The Riveter. Born out of the Network’s monthly #Riveting Reviews and with much help from a range of knowledgeable and discerning contributors, the magazine is guest edited by Deborah Levy, with a cover illustration by Chris Riddell.

I had the honour to edit the magazine, in collaboration with Rosie Goldsmith, and contributing editors, Anna Blasiak and Antonia Lloyd-Jones.

 

I also reviewed for the magazine what in my view is one of the most important novels of the twentieth century – Wiesław Myśliwski’s Stone Upon Stone.

With more content than we could fit into the forty pages of the print publication, we focused the European Literature Network’s March #Riveting Reviews on Polish writing too. I edited these and wrote a companion review of Myśliwski’s award-winning A Treatise on Shelling Beans.

 

 

 

 

The Riveter, Edition One, March 2017, is supported by The London Book Fair, the British Council and the Polish Cultural Institute, and will be available at Polish literature events throughout 2017. The European Literature Network will also make a pdf of the expanded magazine available to download at the end of March.

 

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Editing for Stonock and Create Associates arts consultancies 0

Lois Stonock

Over the past few months I have been working on a range of projects for Lois Stonock and her arts and curatorial consultancy, Stonock.

Lois advises arts organisations on business planning, arts strategies and also writes extensively about a variety of arts projects.

Lois is also part of Create Associates, a collective of curators, academics and artists who Image result for create associatesspecialise in writing arts, culture and community strategies.

Through Lois I have taken on editing projects for a range of work from Create Associates, including pitches, presentations, strategy documents and website copy.

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#Riveting Reviews and Other Dutch Delights 0

In January I was once again editor of the European Literature Network’s monthly Riveting Reviews.

January’s  reviews were devoted to Dutch Literature. Celebrating #HighImpactAllStars – the Network’s evening of literature from the Low Countries, ably hosted, as always by Rosie Goldsmith – alongside Dutch specialist Aimee Hardy, I commissioned and edited reviews of new titles in English from Herman Koch, Gerard Reve, Esther Gerritsen, and others. I also wrote a feature review of The Penguin Book of Dutch Short Stories.